Cunt

Cunt /ˈkʌnt/ is a vulgar term for female genitalia, and is also used as a term of disparagement. Reflecting different national usages, cunt is described as "an unpleasant or stupid person" in the Compact Oxford English Dictionary, whereas Merriam-Webster indicates that it is a "usually disparaging and obscene" term for a woman or an "offensive way to refer to a woman" in the United States. The Macquarie Dictionary of Australian English gives "a contemptible person". When used with a positive qualifier (good, funny, clever, etc.) in Britain, New Zealand, and Australia, it can convey a positive sense of the object or person referred to.

The earliest known use of the word, according to the Oxford English Dictionary, was as a placename for the London street Gropecunt Lane, c. 1230. Use of the word as a term of abuse is relatively recent, dating from the late nineteenth century. The word appears to have not been strongly taboo in the Middle Ages, but became taboo towards the end of the eighteenth century, and was then not generally admissible in print until the latter part of the twentieth century. The term has various derivative senses, including adjective and verb uses. Scholar Germaine Greer argues that cunt "is one of the few remaining words in the English language with a genuine power to shock."

Derek and Clive

Derek and Clive was a double act of comedic characters created by Dudley Moore (Derek) and Peter Cook (Clive) in the 1970s. The performances were captured on the records Derek and Clive (Live) (1976), Derek and Clive Come Again (1977), and Derek and Clive Ad Nauseam (1978), as well as in a film documentary, Derek and Clive Get the Horn (1979). A greatest hits album containing some previously unreleased material, called Rude & Rare: The Best of Derek and Clive, was released in 2011. The characters are foul-mouthed extensions of the earlier characters Pete and Dud.

Considered highly offensive by many at the time, the sketches primarily took the form of bizarre, sometime drunken streams of consciousness led by Cook, with interjections from Moore. Memorable moments from the records include Clive claiming that the worst job he ever had was retrieving lobsters from Jayne Mansfield's arsehole, Derek claiming his worst job was cleaning up Winston Churchill's bogeys (leading the pair to conclude that the Titanic was one such bogey), Clive claiming that he was sexually aroused by the sight of a deceased Pope lying in state, and a horse-racing 'commentary' featuring horses named after sexual organs or their vulgarised derivatives.

Aqualung (Jethro Tull album)

Aqualung is the fourth studio album by the rock band Jethro Tull. Released in 1971, Aqualung, despite the band's disapproval, is regarded as a concept album featuring a central theme of "the distinction between religion and God". The album's "dour musings on faith and religion" have marked it as "one of the most cerebral albums ever to reach millions of rock listeners".Aqualung's success marked a turning point in the band's career, who went on to become a major radio and touring act.

Recorded at Island Records' studio in London, it was their first album with John Evan as a full-time member, their first with new bassist Jeffrey Hammond and last album featuring Clive Bunker on drums. Something of a departure from the band's previous work, the album features more acoustic material than previous releases; and—inspired by photographs of homeless people on the Thames Embankment taken by singer Ian Anderson's wife Jennie—contains a number of recurring themes, addressing religion along with Anderson's own personal experiences.

To Me

"To Me" is a song written by Mike Reid and Mack David, and recorded by American country music artists Lee Greenwood and Barbara Mandrell as a duet. It was released in July 1984 as the first single from the album Meant for Each Other. The song reached number 3 on the Billboard Hot Country Singles & Tracks chart.

Chart performance

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